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c. 1445 – May 17, 1510. Italian painter.

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Canaletto
Regata sul Canal Grande (mk21)

ID: 22782

Canaletto Regata sul Canal Grande (mk21)
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Canaletto Regata sul Canal Grande (mk21)


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Reception of the Ambassador in the Doge s Palace | The Molo with the Library and the Entrance to the Grand Canal f | San Giacomo di Rialto f | London: Westminster Bridge from the North on Lord Mayor s Day | Marine painting |
Related Artists:
John Cleveley
circa 1712-77 English painter, born in Southwark, London. Cleveley did not come from an artistic background
Jean Cotelle
Jean Cotelle Jean Cotelle, 'the younger', was a painter and engraver, born in Paris in 1645. He received his early instruction from his father, Jean Cotelle, and eventually visited Italy. On his return he devoted himself to his profession, producing historical paintings, miniatures, and occasionally etchings. His chef-d'oeuvre was the 'Marriage at Cana,' painted in 1681 for the cathedral of Notre-Dame. There are by him at Versailles several views in the gardens of that palace. He etched a plate representing 'Our Lord on the Mount of Olives,' and a series of seven scenes from the history of Venus. He was admitted into the Academy in 1672, and died at Villers-sur-Marne in 1708.
Henry Courtnay Selous
(1803-1890), Painter and lithographer






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